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Total Size:
512.5 MB
Info Hash:
191A269E29E5DDF5318CD650DAC51A07D0BC417B
Added By:
Added:
April 20, 2026, 2:58 p.m.
Stats:
|
(Last updated: April 20, 2026, 3:03 p.m.)
| File | Size |
|---|---|
| Case ant.jpg | 595.7 KB |
| Case post.jpg | 1.1 MB |
| David Bowie - Live Santa Monica '72.cue | 2.4 KB |
| David Bowie - Live Santa Monica '72.flac | 503.3 MB |
| David Bowie - Live Santa Monica '72.log | 2.6 KB |
| Front.jpg | 1.1 MB |
| Inside 1.jpg | 620.5 KB |
| Inside 2.jpg | 1020.6 KB |
| Inside 3.jpg | 1.0 MB |
| Inside 4.jpg | 558.0 KB |
| Inside 5.jpg | 796.8 KB |
| Inside 6.jpg | 1005.8 KB |
| Inside 7.jpg | 1.5 MB |
Name
DL
Uploader
Size
S/L
Added
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328.8 MB
[3
/
1]
2025-03-09
| Uploaded by CorsaroNero | Size 328.8 MB | Health [ 3 /1 ] | Added 2025-03-09 |
NOTE
SOURCE: David Bowie - Live Santa Monica '72 (2008, EMI)
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COVER

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MEDIAINFO
Genre: Glam Rock
Year of release: 2008
Disc manufacturer: EMI (2376632)
Audio codec: FLAC
Rip type: image+.cue
Audio bitrate: lossless
Duration: 74:20
Tracklist:
01. Introduction
02. Hang on to Yourself
03. Ziggy Stardust
04. Changes
05. The Supermen
06. Life on Mars?
07. Five Years
08. Space Oddity
09. Andy Warhol
10. My Death
11. The Width of a Circle
12. Queen Bitch
13. Moonage Daydream
14. John, I'm Only Dancing
15. Waiting for the Man
16. The Jean Genie
17. Suffragette City
18. Rock 'N' Roll Suicide
Among Bowie aficionados, the live recording from the Santa Monica Civic Center in 1972 ranks as perhaps the best document of the Spiders from Mars at their peak, certainly outranking the Ziggy Stardust: The Motion Picture soundtrack, which may have documented the band's fabled final gig, but didn't capture the band at full flight. This recording -- frequently bootlegged, often popping up on semi-official releases, finally released officially by EMI in 2008 -- does just that. Here, the Spiders sound otherworldly, lean yet monstrous, simple and lethal on "Hang on to Yourself" but majestic and dramatic on a ten-minute "The Width of a Circle," flipping a hat to Jacques Brel via Scott Walker on "My Death," then stripping down such grandiose Hunky Dory tunes as "Life on Mars?" to the essentials. The grand thing about Live in Santa Monica '72 is that it doesn't feel like a special gig: it may have been Bowie's first American radio broadcast, but that's secondary to how it feels like a snapshot of the band during its prime. It's tantalizing to think that this is just how the band was in 1972 and that there may be plenty of other great performances never recorded. What's special about this is that a night like this was indeed captured -- and with each passing year this seems more and more like the best Bowie live album
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